{"id":3268,"date":"2017-06-09T09:35:30","date_gmt":"2017-06-09T07:35:30","guid":{"rendered":"https:\/\/www.capalest.com\/basnici\/"},"modified":"2018-01-29T21:31:51","modified_gmt":"2018-01-29T19:31:51","slug":"poetes","status":"publish","type":"page","link":"https:\/\/www.capalest.com\/fr\/poetes\/","title":{"rendered":"Po\u00e8tes"},"content":{"rendered":"[vc_row type=\u00a0\u00bbfull_width_content\u00a0\u00bb bg_position=\u00a0\u00bbleft top\u00a0\u00bb bg_repeat=\u00a0\u00bbno-repeat\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb bottom_padding=\u00a0\u00bb0″][vc_column width=\u00a0\u00bb1\/2″]
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Le festival<\/h1>\n

Po\u00e8tes du festival<\/h4>\n

Krisztina T\u00f3th<\/h5>\n

Po\u00e9tesse, prosatrice et traductrice hongroise de renom, elle se consacre \u00e9galement \u00e0 la r\u00e9alisation de vitraux. R\u00e9compens\u00e9e par de nombreux prix en Hongrie et dans le monde, les traductions de ses po\u00e8mes ont paru dans de nombreuses langues (citons notamment Metro trains in contrary directions. In Our OwnWords 6, publi\u00e9saux Etats-Unis chez MarlowPeerseWeawer, A Fineline-New PoetryfromEastern and central Europe Arts Council Publications, paru en 2004 en Grande Bretagne ou encore Le r\u00eave du Minotaure, paru en 2011 aux \u00c9ditions Caract\u00e8res \u00e0 Paris). Son \u0153uvre se caract\u00e9rise par une combinaison raffin\u00e9e d\u2019\u00e9l\u00e9ments visuels hauts en couleur, de r\u00e9flexion intellectuelle et d\u2019auto-ironie. Plus d\u2019informations. http:\/\/www.tothkrisztina.hu<\/a><\/p>\n

J\u00e1n \u0160vantner (1949)<\/h5>\n

La po\u00e9sie de J\u00e1n \u0160vantner r\u00e9sonne \u00e0 l\u2019unisson du lyrisme passionn\u00e9 des \u0153uvres originales de l\u2019auteur et de ses traductions de ma\u00eetres de la po\u00e9sie fran\u00e7aise (Boileau, Val\u00e9ry, Baudelaire, Saint-Exup\u00e9ry, Bonnefoy). L\u2019impossibilit\u00e9de tracer une ligne de d\u00e9marcation entre la confession intime et lyrique de l\u2019\u0153uvre de \u0160vantner et ses traductions de po\u00e8mes se retrouve dans l\u2019absence de fronti\u00e8re entre son univers po\u00e9tique et la dimension pol\u00e9mique ac\u00e9r\u00e9e que l\u00b4on retrouve dans ses essais \u2013 dans une affirmation de la litt\u00e9rature et de sa signification dont l\u2019auteur refl\u00e8te le message dans une perceptible douleur. \u0160vantner ne fait pas partie des po\u00e8tes graphomanes \u2013 son \u0153uvre est intense et se concentre dans les volumes relativement modestes, mais scintillants, de quelques recueils.<\/p>\n

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[vc_row type=\u00a0\u00bbfull_width_content\u00a0\u00bb bg_position=\u00a0\u00bbleft top\u00a0\u00bb bg_repeat=\u00a0\u00bbno-repeat\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb bottom_padding=\u00a0\u00bb0″][vc_column width=\u00a0\u00bb1\/2″][vc_row_inner][vc_column_inner width=\u00a0\u00bb1\/2″][\/vc_column_inner][vc_column_inner width=\u00a0\u00bb1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=\u00a0\u00bb1\/2″ animation=\u00a0\u00bbnone\u00a0\u00bb column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_position=\u00a0\u00bbleft\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″][vc_column_text el_class=\u00a0\u00bbtext_center2 padding-40″] Le festival Po\u00e8tes du festival Krisztina T\u00f3th Po\u00e9tesse, prosatrice et traductrice hongroise de renom, elle se consacre \u00e9galement \u00e0 la r\u00e9alisation…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3268","page","type-page","status-publish"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.capalest.com\/fr\/wp-json\/wp\/v2\/pages\/3268","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.capalest.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.capalest.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.capalest.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.capalest.com\/fr\/wp-json\/wp\/v2\/comments?post=3268"}],"version-history":[{"count":3,"href":"https:\/\/www.capalest.com\/fr\/wp-json\/wp\/v2\/pages\/3268\/revisions"}],"predecessor-version":[{"id":3479,"href":"https:\/\/www.capalest.com\/fr\/wp-json\/wp\/v2\/pages\/3268\/revisions\/3479"}],"wp:attachment":[{"href":"https:\/\/www.capalest.com\/fr\/wp-json\/wp\/v2\/media?parent=3268"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}